Tag Archives: Verizon FiOS

Unlikely Bedfellows as Net Neutrality Sunsets

Coupling Content Distribution (i.e. ISPs) with Content Producers

Verizon FiOS offers Netflix as another channel in their already expansive lineup of content. Is this a deal of convenience for the consumer, keeping consumers going through one medium, or is it something more?  Amazon Video iOS application offers HBO, STARZ, and others as long as Amazon Prime customers have a subscription to the Content Producers. Convenience or more?  The Netflix Content and Distribution via Set-top box (STB) channel should be mimicked by Google YouTube and Amazon Video despite their competing hardware offerings.  Consumers should be empowered to decide how they want to consume Amazon Video; e.g. through their Set-top box (STB).  However,  there may be more than just a convenience benefit.

Amazon Video iOS
Amazon Video iOS
Netflix on FiOS
Netflix on FiOS

As Net Neutrality fades into the sunset of congressional debates and lobbyists, the new FCC ruling indicates the prevailing winds of change.  We question how content providers, large and small, navigate the path to survival/sustainability.  Some business models from content distribution invoke Bandwidth Throttling, which may inhibit the consumers of some content, either by content types (e.g. Video formats) or content providers (e.g. Verizon FiOS providing priority bandwidth to Netflix).

Content Creators / Producers, without a deal with ISPs for “priority bandwidth” may find their customers flock to ‘larger content creators’ who may be able to get better deals for content throughput.

Akamai and Amazon CloudFront – Content Delivery Networks (CDNs)

Content Delivery Networks (CDNs) may find themselves on the better end of this deal, almost as a side-effect to the FCC decision of nixing Net Neutrality.

Amazon CloudFront a global content delivery network (CDN) service that securely delivers data, videos, applications, and APIs to viewers with low latency and high transfer speeds. CloudFront, like Akamai, may significantly benefit from the decision by the FCC to repeal Net Neutrality.

Akamai’s industry-leading scale and resiliency mean delivering critical content with consistency, quality, and security across every device, every time.  Great web and mobile experiences are key to engaging users, yet difficult to achieve. To drive engagement and online revenue, it’s critical to optimize performance for consumer audiences and employees alike to meet or exceed their expectations for consistent, fast, secure experiences.

Integrating into Content/Internet Service Provider’s Bundle of Channels

By elevating Content Producers into the ISP (distribution channel) Set-top box (STB), does this ‘packaging’ go beyond bundling of content for convenience?  For example, when Netflix uses Verizon FiOS’ CDN for content delivery to their clients, will the consumer benefit from this bundled partnership beyond convenience (i.e. performance)?  When Netflix is invoked by a Verizon FiOS customer from their laptop (direct from Netflix), is there a performance improvement if Netflix is invoked from the Verizon FiOS Set-top Box (STB) instead?  Would these two separate use cases for invoking Netflix movies utilize two alternate Content delivery network (CDN) paths, one more optimized than the other?

As of this post update (12/26), there has been no comment from Verizon.

Streaming Companies Provide their Platform to Content Creators

Streaming Platforms / Content Creators

Streaming companies enable content creators to use their well known, branded platforms to grow content author followings.  The reciprocal nature of the relationship creates an even broader customer base for streaming content platforms.

  • Direct competition with Google’s YouTube.
  • Microsoft to stretch SharePoint’s abilities re: video streaming, Video on Demand, and Broadcast Live, as well as it’s user licensing model, it could be another tool for entrepreneurs to offer any content creator a “Digital Entertainment Portal”.

Any content provider of digital media entertainment:

  • Broadcast Television Channels – e.g. CBS, NBC, SyFy
  • Independent digital media producers, e.g. currently using channels to reach a large audience, e.g. YouTube

The streaming company can create a portal wizard to build copy a streaming portal template.  The digital media producer uses web app widgets, similar to Microsoft SharePoint sites, to customize their portal to their digital media video/assets.  The Streaming “Portal” provider, as part of their service, handles the monetary transactions for customer subscriptions, or other business models supported.  In addition, the bandwidth load from streaming would be handled by the Streaming “Portal Provider”, a major benefit, leveraging the companies’ Content Delivery Network (CDN).

Anyone could apply for a partnership with the streaming company, and once approved, may use the tools provided by the streaming partner to spawn a new platform site around the customer/producer’s content.

This new revenue stream of streaming companies platforms, such as Netflix and Amazon Instant, may be vastly multiplied using a “Partner Portal” model.

Update 2/5/18

It seems that this path of content providers leveraging existing Portal Streaming companies has already begun:

  • Verizon FiOS embedding Netflix as a “Channel”
  • Amazon Prime (Prime Video) embedding CBS ALL ACCESS, HBO, STARZ, Showtime, Cinemax, etc. branded as “Amazon Channels”
    • Amazon has the capability to leverage their Amazon CloudFront (Highly secure global content delivery network (CDN))

At this juncture, no content on the “Indie” level being embedded in the Portal Streaming companies.  Looks like Google YouTube still monopolizes this space.

Since the original post date, CBS ALL ACCESS has been released, showing content providers, in addition to their own distribution channels direct to clients, will offer their content through 3rd party streaming portals as well…for now.  Maybe just for convenience because these streaming portals require subscriptions to the content provider in order to be served up.

Another post projecting the renaissance of streaming and content creation.

This post was from Dec 2014, but still very relevant today.

Media Companies (and Execs) in the Driver’s Seat for a Prosperous New Year

Make Finding a Movie Just as much Fun as Watching it.

Content is king.  It seems to be resonating throughout the Entertainment universes.  Fantastic!  Content creators managing their content through licensing, and through their own distribution channel(s). The creation of short clips to entice viewers.   Of course, navigation to view content on a revolving carousel.

The entertainment industry has had successful initiatives in marketing their own content. and licensing their content for distribution and viewing to consumers.

What’s next?

  • Augmented and Virtual Reality

Sitting in your living room with VR headsets, enabling you to socialize before virtually entering the Theater.  Virtual meet ups for discussion / interaction around Genre, e.g. Action, Sci-Fi; or Adhoc meet ups, ‘e.g. by Actor, or Movie interests

Enable a viewer to select, and rotate perspectives of the actors/actress currently in the scene.

  • Movie / Television Trivia (by Genre, by Actor, by Movie)

Another creative way to match up viewer with media beyond the ‘Carousel’: Design games around the content provider’s owned or licensed content.  It will make for a more enriched experience, and help the viewer find their entertainment for the evening.  Even put together a licensing relationship with Hasbro for a spin off Trivial Pursuit.  ‘Sponsored puzzles’ like on ‘Wheel of Fortune‘ may help to bring in Advertising dollars.  Or a licensing deal with Screenlife,  makers of Scene It?,  Looks like Screenlife is a Paramount property, small world.

Game examples:

  1. reconstituting a ‘famous and recognizable’ image.   The image is taken directly from one of the movies being streamed.
  2. Guess where the movie or TV show short clip originated.  Select to stream, or play another round.
  3. In what movie or TV show did ‘this’ main theme song originate?