Tag Archives: ecommerce

So Much Streaming Music, Just Not in One Place

In the old days, you never knew which CDs the record store would have in stock.  That limitation of physical media was supposed to be solved by digital. Back in the 1990s, technology evangelists and music fans alike began to talk about a “celestial jukebox” — a utopian ideal in which every song ever recorded would be available at a click.  In reality, even a celestial jukebox has gaps. Or more precisely, numerous jukeboxes have come along – iTunes, Pandora, Spotify, SoundCloud, YouTube – and each service has had gaps in its repertoire. And those gaps have been growing bigger and more complicated as artists have wielded more power in withholding their music from one outlet or another.

Source: So Much Streaming Music, Just Not in One Place – The New York Times

Additional Editorial:

Published music libraries are numerous, and have scattered artist coverage for one reason or another.  Music repositories may overlap, or lack completeness of coverage.

As expressed in “As a Data Deluge Grows, Companies Rethink Storage“, creating a system similar to the Internet Domain Name System for “Information Asset Libraries” would help in numerous ways.  Front end UIs may query these “Information Asset (object) libraries” to understand the availability of content across the Internet.

The Domain Name System (DNS) is a hierarchical decentralized naming system for computers, services, or any resource connected to the Internet or a private network.

Another opportunity would be to leverage the existing DNS platform for managing these “Information Asset Repositories”

In a relatively cost restrained implementation, a DNS type effort can be taken up by the music industry.  From artists to distribution channels, existing music repositories can be leveraged, and within months, a music aficionado may go to any participating platform, and search for an artist, title, album, or any other indexed meta data, and results across ‘Information Asset Repositories’ would be displayed to the user with a jump link to the registered information asset in the library.

Small independent artists need just populate a spreadsheet with rows that contain a row for each asset, and all the ‘advertised’ meta data.  Their Information Asset library may be a single flat file, i.e. XML, that conforms to a basic record/row structure.  The independent artist places this file on their web site, e.g. in their root folder, and informs their ISP of the address record type, and it’s location.  A new DNS record specification may need to be created, e.g. MX record.

Cloud Document Mgt: Box Overhaul Architecture With Paperless Services

Building on the Cloud: Gehry and Box Overhaul Architecture With New Paperless Service | Wired Design | Wired.com.

I read this article, and thought instantly, this is where we were leaning toward a few years ago with a prototype project I worked on for a large metropolitan city, and electronically expediting the process of business occupancy workflows.

I’ve read Box.net current collaboration platform, and it is similar to what I was working on with an internal electronic document management system built upon EMC Documentum.  That system I worked on in 1993, was an internal enterprise product that included collaboration with multiple teams, approval workflows, i.e. gateways to the next workflow, as well as code allowing the documents to be dynamically edited, appended, reading from corporate databases, and integrating that data into the final product documents, which then would be distributed automatically on multiple platforms once the last approval was received.  The documents were distributed to third parties such as FactSet, and other major 3rd party outlets, as well as internal client web platforms

If Box can get those workflows incorporated into the production of any products, and incorporate all parties from all stakeholders from clients, subject matter experts, engineers, validators, e.g. sign off stakeholders, including the public sector, all engineers, which sign off on permits.

Other products may be able to be incorporated, such as the shipment of products, just like eBay has exposed their incorporation of both the U.S. Post Office, as well as PayPal, now a subsidiary of eBay.

E-Commerce Platform Maturity: Reviews, and MP3 Cloud Players

I have read a few complaints on line regarding book reviews, specifically, it seems most  E-Commerce platforms have given the user carte blanche on entering the rating products, i.e. they have the ability to rate any product, without proof the’ve read / used the product.  This approach does encourage the user to have a user friendly experience to add ratings, as users are mostly discouraged to populate any surveys, i.e. time is money, and people just rather do something else, unless they are very motivated.  Some of those motivation reasons: they are passionate about a book, for example, with great distain, or passionate about the material, typically passionate readers.  Historically, in the early days of E-Commerce platforms, ease of entry of ratings, and encouragement was the mantra to make sure users are able to guide fellow users.  We now have matured E-Commerce platforms that don’t necessarily need, en-mass ratings, i.e. sales tool to show potential buyers that people buy from their site.  An issue has arisen especially with amateur writers that have spawned up everywhere, or even with mature publishers, and social media, just like we see in negative political campaigns, mud slinging, so justified, some not, or at least may be interpretative, it gives less credibility to the politician, or book, in this case, and not necessarily for the correct reasons.

It sounds like mature E-Commerce platforms should probably start taking the high road, and give confidence and credibility to the reviews, and not just by relying on standard deviation, and outliers on the bell curve being negated.  This is also amplified with products that have fewer reviewers, i.e. budding authors trying to get their break.

One suggestion, for a book, for example, an author may provide a list of 100 questions or so regarding parts of the content of the book, and before being allowed to rate the book, the reviewer must answer three random multiple choice questions correctly.  Of course, they may have at least two or three sets of questions to press on with the review.  The author, especially the startup authors, would probably be encouraged to write the questions, and attempt to deflect invalid mud slinging, i.e. person never read the book.

The other topic I wanted to touch upon was Amazon’s MP3 Cloud Player.  I have come to rely on Amazon’s player, and my kids use it on their iPod, iPads, computers, etc.  Two small issues I have at least on the Mac Safari browser, I think it also is lacking on my Windows computer, a) I cannot sort any of the columns within any of the filters.  I am unable to select Artist, for example, in a playlist, and resort by the artist name, as one example.  I may be doing something wrong, but it seems like a basic feature.  b) my own personal ratings, like we see on iTunes do not appear as a column that I can sort upon, as well as other meta data available, seems skimpy, both to enter, as well as to sort upon.  As this product seems to have matured to the point to justify it’s existence seems only logical these two features must be on their road map.  I won’t rip the Cloud Player apart, because all fairness, Apple iTunes had a leap on these folks.  It would be cool to actually see lyrics automatically imported with purchased songs.  I haven’t checked iTunes in awhile.  At some point, Apple made a free form text field where you could copy in the lyrics, but you would need to paste in the lyrics yourself.  Yes, there are third party apps that display it, and they actually follow along on the lyrics, which is super cool, but nothing in the cloud player itself.  Oh, well, my two bits for the day.  Note:  this takes into account the premium player only offers additional storage, as implied by their sales and marketing, not features